ve fotogalerii<\/a><\/p>\n\n\n\nStru\u010dn\u00fd obsah opery<\/h2>\n\n\n\n Tr\u00f3jsk\u00fd princ Aeneas ztroskotal se sv\u00fdm lo\u010fstvem u b\u0159eh\u016f Kart\u00e1ga. Kr\u00e1lovna D\u00edd\u00f3 ho p\u0159ijala a na sv\u00e9m dvo\u0159e poskytla Tr\u00f3jan\u016fm azyl. D\u00edd\u00f3 a Aeneas se do sebe zamiluj\u00ed, av\u0161ak kletba nut\u00ed Aenea naplnit sv\u00e9 posl\u00e1n\u00ed a odplout k italsk\u00fdm b\u0159eh\u016fm. D\u00edd\u00f3 pochop\u00ed, \u017ee Aene\u016fv odchod je nevyhnuteln\u00fd, bez n\u011bj v\u0161ak ztr\u00e1c\u00ed smysl \u017eivota. Sama tedy zvol\u00ed smrt.<\/p>\n\n\n\n
O inscenaci<\/h2>\n\n\n\n Inscenov\u00e1n\u00edm opery D\u00edd\u00f3 a Aeneas hled\u00e1me vnit\u0159n\u00ed souzn\u011bn\u00ed s d\u00edlem, je\u017e je pro n\u00e1s p\u0159edev\u0161\u00edm siln\u00fdm p\u0159\u00edb\u011bhem. Dot\u00fdk\u00e1 se jednoho z nejprvotn\u011bj\u0161\u00edch probl\u00e9m\u016f ve vztahu mezi mu\u017eem a \u017eenou. Konfliktu vztahu a odpov\u011bdnosti. Ten se v literatu\u0159e vyskytuje v r\u016fzn\u00fdch obm\u011bn\u00e1ch oded\u00e1vna a\u017e po dnes a t\u00e9m\u011b\u0159 ka\u017ed\u00fd \u010dlov\u011bk je mu alespo\u0148 do jist\u00e9 m\u00edry vystaven.<\/p>\n\n\n\n
Opera nese otisky velmi odli\u0161n\u00fdch obdob\u00ed a kultur. Jej\u00ed ko\u0159eny tkv\u00ed v antick\u00e9 historii a mytologii, av\u0161ak vytvo\u0159ena byla v Anglii koncem 17. stolet\u00ed. M\u00edsto, kam je d\u011bj situov\u00e1n se nach\u00e1z\u00ed na pob\u0159e\u017e\u00ed severn\u00ed Afriky. To v\u0161e s sebou nese spoustu v\u00fdznam\u016f a mo\u017enost\u00ed uchopen\u00ed – my jsme zvolili jako hlavn\u00ed v\u00fdkladovou linii slo\u017eku hudebn\u00ed. Ne z hlediska historick\u00e9ho kontextu, ale jako zdroj inspirace, intuitivn\u00ed \u0159e\u010d obraz\u016f, pocit\u016f a p\u0159edstav, \u0159e\u010d natolik abstraktn\u00ed, \u017ee nen\u00ed ur\u010dena \u010dasem ani slohem. Tok vypr\u00e1v\u011bn\u00ed je obrazn\u00fd a nesouvisl\u00fd, jako st\u0159\u00edpky vzpom\u00ednek a sn\u016f. Belinda (D\u00edd\u00f3nina sestra u Vergilia Anna), kter\u00e1 se stala sv\u011bdkem tragick\u00e9ho p\u0159\u00edb\u011bhu, n\u00e1m v \u00fatr\u017ec\u00edch, vypr\u00e1v\u00ed v\u0161e, co u\u017e je v\u0161ak nezvratnou histori\u00ed. Sbor p\u0159itom hraje d\u016fle\u017eitou roli jak\u00e9hosi lidsk\u00e9ho jevi\u0161tn\u00edho m\u00e9dia, kter\u00e9 jednotliv\u00e9 \u00fatr\u017eky vzpom\u00ednek stmeluje, zasazuje do prostoru a kontextu.<\/p>\n\n\n\n
D\u00edd\u00f3 je jedna z nejv\u011bt\u0161\u00edch a nejdoj\u00edmav\u011bj\u0161\u00edch \u017eensk\u00fdch postav. V jej\u00ed vnit\u0159n\u00ed s\u00edle a odhodl\u00e1n\u00ed je zraniteln\u00e1 \u017eenskost. V jej\u00edm sebeovl\u00e1d\u00e1n\u00ed \u017eivelnost. Dok\u00e1\u017ee ob\u011btovat svou \u017eivotn\u00ed l\u00e1sku, p\u0159esto\u017ee tu\u0161\u00ed, \u017ee se s jej\u00ed ztr\u00e1tou nedok\u00e1\u017ee vyrovnat. Z\u016fst\u00e1v\u00e1 sama v okam\u017eiku, kdy nejv\u00edce pot\u0159ebuje c\u00edtit bl\u00edzkost…<\/p>\n\n\n\nD\u00edd\u00f3 a Aeneas 8.4.2008 v Redut\u011b<\/p>\n\n\n\n
Na sn\u00edmku stoj\u00edc\u00ed zleva P. Radostov\u00e1, Z. Dole\u017eal, R. Jedli\u010dkov\u00e1, E. \u0160t\u011brbov\u00e1, M. Ouda, O. \u0160pa\u010dek, P. Kadidlo, E. Chalupov\u00e1, B. Ne\u010dasov\u00e1, M. \u0160ebestov\u00e1, na zemi J. M. Proch\u00e1zka<\/p>\n\n\n\n
Autor fotografie: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n
Osoby a obsazen\u00ed:<\/p>\n\n\n\n
D\u00edd\u00f3<\/strong><\/td>(sopr\u00e1n)<\/td> Miroslava Renzov\u00e1, Lucie Sta\u0148kov\u00e1<\/td><\/tr> Aeneas<\/strong><\/td>(baryton)<\/td> Ji\u0159\u00ed Miroslav Proch\u00e1zka<\/td><\/tr> Belinda<\/strong><\/td>(sopr\u00e1n)<\/td> Jana Jel\u00ednkov\u00e1, Lenka \u010euricov\u00e1<\/td><\/tr> Druh\u00e1 \u017eena<\/strong><\/td>(sopr\u00e1n)<\/td> Eva \u0160t\u011brbov\u00e1, Alena Borkov\u00e1<\/td><\/tr> Kouzelnice<\/strong><\/td>(mezzosopr\u00e1n)<\/td> Kate\u0159ina Dost\u00e1lov\u00e1, Kamila Kru\u017e\u00edkov\u00e1<\/td><\/tr> 1. \u010darod\u011bjnice<\/strong><\/td>(sopr\u00e1n)<\/td> Martina Houdov\u00e1, Lucie Mar\u0161\u00e1lkov\u00e1<\/td><\/tr> 2. \u010darod\u011bjnice<\/strong><\/td>(sopr\u00e1n)<\/td> Romana Jedli\u010dkov\u00e1, Pavla Z\u00e1st\u011brov\u00e1<\/td><\/tr> Duch<\/strong><\/td>(mezzosopr\u00e1n)<\/td> Eva Chalupov\u00e1, Petra Kargerov\u00e1<\/td><\/tr> N\u00e1mo\u0159n\u00edk<\/strong><\/td>(tenor \/ sopr\u00e1n)<\/td> Petr Kadidlo, Eva Chalupov\u00e1<\/td><\/tr><\/tbody><\/table>\n\n\n\nKomorn\u00ed sbor:<\/p>\n\n\n\n
sopr\u00e1n:<\/strong><\/td>Martina Houdov\u00e1, Eva Chalupov\u00e1, Kamila Kru\u017e\u00edkov\u00e1, Lucie Mar\u0161\u00e1lkov\u00e1, Barbora Ne\u010dasov\u00e1, Mark\u00e9ta \u0160ebestov\u00e1, Eva \u0160t\u011brbov\u00e1<\/td><\/tr> alt:<\/strong><\/td>Alena Borkov\u00e1, Kate\u0159ina Dost\u00e1lov\u00e1, Romana Jedli\u010dkov\u00e1, Petra Kargerov\u00e1, So\u0148a Ne\u010dasov\u00e1, Pavla Radostov\u00e1, Pavla Z\u00e1st\u011brov\u00e1<\/td><\/tr> tenor:<\/strong><\/td>Zden\u011bk Dole\u017eal, Petr Kadidlo, Ond\u0159ej \u0160pa\u010dek<\/td><\/tr> bas:<\/strong><\/td>Jan Hal\u00edk, Bohuslav Jelen, Marek Ouda<\/td><\/tr><\/tbody><\/table>\n\n\n\nOrchestr:<\/p>\n\n\n\n
Komorn\u00ed orchestr poslucha\u010d\u016f Konzervato\u0159e Brno<\/p>\n\n\n\n
housle:<\/strong><\/td>Marek Filip, Anna Vl\u010dkov\u00e1, Linda Finsterlov\u00e1, Tom\u00e1\u0161 Marada, Eva Kr\u00e1l\u00ed\u010dkov\u00e1, Zden\u011bk H\u00e4ckl<\/td><\/tr> viola:<\/strong><\/td>Zde\u0148ka Proch\u00e1zkov\u00e1, j. h., Robin Lefner<\/td><\/tr> violoncello:<\/strong><\/td>Robert Kru\u017e\u00edk, Ane\u017eka Jungov\u00e1, Ji\u0159\u00ed Filip<\/td><\/tr> kontrabas:<\/strong><\/td>Milan Gablas<\/td><\/tr> hoboj:<\/strong><\/td>Mark\u00e9ta Ja\u0161ov\u00e1, Tereza Li\u0161kov\u00e1<\/td><\/tr> fagot:<\/strong><\/td>V\u00edt Proch\u00e1zka<\/td><\/tr> kytara:<\/strong><\/td>Lenka Men\u010d\u00edkov\u00e1<\/td><\/tr> cembalo:<\/strong><\/td>Jarmila Mraz\u00edkov\u00e1-\u010ce\u0161kov\u00e1<\/td><\/tr><\/tbody><\/table>\n\n\n\nD\u00edd\u00f3 a Aeneas – plak\u00e1t<\/p>\n\n\n\n
Autor: Tom\u00e1\u0161 Studen\u00fd<\/p>\n\n\n\n
Recenze<\/p>\n\n\n\n
Konzervatorist\u00e9 pro\u017eili l\u00e1sku D\u00edd\u00f3 a Aenea<\/a><\/p>\n\n\n\nDido a Aeneas Henryho Purcella<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"Motto: Hudba – tanec – poezie – imaginace Opera Henryho Purcella v pod\u00e1n\u00ed student\u016f brn\u011bnsk\u00e9 konzervato\u0159e. P\u0159\u00edb\u011bh l\u00e1sky, kter\u00e1 nemohla b\u00fdt napln\u011bna. Studenti Konzervato\u0159e Brno p\u0159ipravili pod veden\u00edm sv\u00fdch pedagog\u016f inscenaci barokn\u00ed opery. Tragick\u00fd p\u0159\u00edb\u011bh mytick\u00fdch milenc\u016f se pokusili mlad\u00ed um\u011blci interpretovat skrze vlastn\u00ed pro\u017eitky, p\u0159edstavy a asociace evokovan\u00e9 Purcellovou hudbou a b\u00e1jn\u00fdm p\u0159\u00edb\u011bhem. T. Studen\u00fd: n\u00e1vrh sc\u00e9ny k inscenaci D\u00edd\u00f3 a Aeneas […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1722","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages\/1722","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1722"}],"version-history":[{"count":0,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages\/1722\/revisions"}],"wp:attachment":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1722"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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