Jak d\u00fdch\u00e1 k tob\u011b, tak i ke mn\u011b<\/em><\/p>\n\n\n\n a matku p\u0159ipom\u00edn\u00e1\u2026<\/em><\/p>\n\n\n\n Hudebn\u011b divadeln\u00ed ritu\u00e1l \u2013 sc\u00e9nick\u00e9 proveden\u00ed Otv\u00edr\u00e1n\u00ed stud\u00e1nek, Legendy z d\u00fdmu bramborov\u00e9 nati a Mike\u0161e z hor, t\u0159\u00ed kant\u00e1t Bohuslava Martin\u016f z cyklu Zp\u011bvy Vyso\u010diny. Jedn\u00e1 se dosud o prvn\u00ed pokus uv\u00e9st souborn\u011b tyto t\u0159i kant\u00e1ty sc\u00e9nicky. Tato inscenace byla uvedena p\u0159i p\u0159\u00edle\u017eitosti 50. v\u00fdro\u010d\u00ed smrti Bohuslava Martin\u016f a byla rovn\u011b\u017e sou\u010d\u00e1st\u00ed oslav 90. v\u00fdro\u010d\u00ed zalo\u017een\u00ed konzervato\u0159e.<\/p>\n\n\n\n Zp\u011bvy zem\u011b 13.10.2010 v Redut\u011b<\/p>\n\n\n\n Na sn\u00edmku K. Dost\u00e1lov\u00e1<\/p>\n\n\n\n Autor fotografie: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n Zp\u011bvy zem\u011b 13.10.2010 v Redut\u011b<\/p>\n\n\n\n Na sn\u00edmku R. Nov\u00e1k a P. Radostov\u00e1<\/p>\n\n\n\n Autor fotografie: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n Dal\u0161\u00ed fotografie z premi\u00e9ry v Redut\u011b si m\u016f\u017eete prohl\u00e9dnout ve fotogalerii<\/a><\/p>\n\n\n\n Zp\u011bvy zem\u011b 13.10.2010 v Redut\u011b<\/p>\n\n\n\n Na sn\u00edmku (zleva) E. Chalupov\u00e1, B. Ne\u010dasov\u00e1, B. Herman, M. Chud\u00e1rkov\u00e1<\/p>\n\n\n\n Autor fotografie: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n Tyto t\u0159i kant\u00e1ty velmi siln\u011b my\u0161lenkov\u011b spojuje t\u00e9ma zem\u011b. Matky zem\u011b \u2013 p\u0159\u00edrody, kter\u00e1 \u017eivot d\u00e1v\u00e1 i bere, ale i zem\u011b rodn\u00e9 \u2013 rodn\u00e9ho kraje \u2013 domova a vazby \u010dlov\u011bka ke sv\u00fdm vlastn\u00edm ko\u0159en\u016fm. Toto t\u00e9ma bylo jist\u011b zna\u010dn\u011b citliv\u00e9 i pro samotn\u00e9ho Martin\u016f, \u017eij\u00edc\u00edho mimo svou vlast. V Legend\u011b z d\u00fdmu bramborov\u00e9 nati se pram\u00e1ti zem\u011b zosob\u0148uje, v podob\u011b panny Marie (\u201eTa dobr\u00e1 m\u00e1ti pramen\u016f a sv\u011btla \u2013 odv\u011bk\u00e1\u201c), \u010d\u00edm\u017e se prohlubuje n\u00e1bo\u017eensk\u00fd v\u00fdznam k\u0159es\u0165ansk\u00e9 panny Marie na prap\u016fvodn\u00ed \u017eensk\u00fd a mate\u0159sk\u00fd princip. V Mike\u0161ovi z hor je zase lst\u00ed br\u00e1n\u011bna p\u0159ed vichry a mrazy, aby se op\u011bt probudila k nov\u00e9mu \u017eivotu a neust\u00e1l\u00fd cyklus zrozen\u00ed a smrti se mohl opakovat. Otv\u00edr\u00e1n\u00ed stud\u00e1nek je prastar\u00fdm ritu\u00e1lem, jeho\u017e ko\u0159eny sahaj\u00ed a\u017e do hlubok\u00e9 pohansk\u00e9 prehistorie. Takov\u00fdmito ob\u0159ady se pokou\u0161\u00edme p\u0159i\u010dinit o to, aby n\u00e1m byly naklon\u011bny s\u00edly, je\u017e nedok\u00e1\u017eeme ovlivnit a \u010dasto ani pochopit. Sna\u017e\u00edme se jejich prost\u0159ednictv\u00edm vstoupit do dialogu se zem\u00ed. Av\u0161ak i hudebn\u00ed \u010di divadeln\u00ed ud\u00e1lost jako takov\u00e1 obsahuje v sob\u011b mnoho ritu\u00e1ln\u00edch prvk\u016f. T\u00e9ma kant\u00e1t je pro n\u00e1s velice \u017eiv\u00e9. P\u0159ipom\u00edn\u00e1, jak hluboce jsme determinov\u00e1ni p\u0159\u00edrodn\u00edmi silami a z\u00e1kony, je\u017e nem\u016f\u017eeme ovlivnit a jak k\u0159ehk\u00e1 je rovnov\u00e1ha t\u011bchto sil, na nich\u017e z\u00e1vis\u00ed n\u00e1\u0161 \u017eivot, jak moc jsme st\u00e1le spjati se zem\u00ed, a\u010dkoli na to leckdy zapom\u00edn\u00e1me<\/p>\n\n\n\n Zp\u011bvy zem\u011b 13.10.2010 v Redut\u011b<\/p>\n\n\n\n Na sn\u00edmku K. Dost\u00e1lov\u00e1<\/p>\n\n\n\n Autor fotografie: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n A\u010dkoli se tento origin\u00e1ln\u00ed dramaturgick\u00fd n\u00e1pad zrodil nez\u00e1visle v hlav\u011b dirigenta Tom\u00e1\u0161e Krej\u010d\u00edho, p\u016fvodcem my\u0161lenky inscenovat tyto kant\u00e1ty je, jak jsme posl\u00e9ze zjistili, dirigent a p\u0159edev\u0161\u00edm v\u00fdznamn\u00fd dramaturg V\u00e1clav Nosek (1921 \u2013 2000). Noskovi se v\u0161ak nikdy nepoda\u0159ilo tento z\u00e1m\u011br uskute\u010dnit a v tomto smyslu jsme se pokusili na jeho odkaz nav\u00e1zat.<\/p>\n\n\n\n Tom\u00e1\u0161 Studen\u00fd<\/p>\n\n\n\n s\u00f3la<\/p>\n\n\n\n Otv\u00edr\u00e1n\u00ed stud\u00e1nek<\/p>\n\n\n\n Legenda z d\u00fdmu bramborov\u00e9 nati<\/p>\n\n\n\n Mike\u0161 z hor<\/p>\n\n\n\n Zp\u011bvy zem\u011b 13.10.2010 v Redut\u011b<\/p>\n\n\n\n Autor fotografie: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n sbor<\/p>\n\n\n\n Dovol\u00edm si jedno takov\u00e9 mal\u00e9 ohl\u00e9dnut\u00ed. Domn\u00edv\u00e1m se, \u017ee tato inscenace m\u011bla ur\u010dit\u00e9, tak\u0159ka osudov\u00e9 momenty, kter\u00e9 stoj\u00ed za zm\u00ednku. Na jedn\u00e9 na\u0161\u00ed kolegyni se t\u0159eba exempl\u00e1rn\u011b uk\u00e1zalo, \u017ee plodnostn\u00ed ritu\u00e1ly z\u0159ejm\u011b skute\u010dn\u011b m\u011bly sv\u016fj hlubok\u00fd v\u00fdznam, kdy\u017e po n\u011bjak\u00e9 dob\u011b od posledn\u00edho p\u0159edstaven\u00ed nastoupila (podot\u00fdk\u00e1m na dlouho k\u00fd\u017eenou) mate\u0159skou dovolenou. Zaj\u00edmav\u00fd osud postihl t\u00e9\u017e ten n\u00e1dhern\u00fd keramick\u00fd d\u017eb\u00e1n, jej\u017e m\u016f\u017eete na fotografi\u00edch zahl\u00e9dnout. Ten vyrobila speci\u00e1ln\u011b pro tuto inscenaci moje \u017eena, Krist\u00fdna Studen\u00e1. Na sv\u016fj a\u017e neuv\u011b\u0159iteln\u00fd objem 22 litr\u016f byl \u00fa\u017easn\u011b lehk\u00fd, s \u010d\u00edm\u017e by sle\u010dny, kter\u00e9 ho museli, i s n\u011bjakou tou trochou vody, zdvihat nad hlavu, sice jist\u011b v\u00e1\u0161niv\u011b polemizovaly, nicm\u00e9n\u011b jeho st\u011bny byly vzhledem k velikosti skute\u010dn\u011b tenounk\u00e9. Posl\u00e9ze, v dob\u011b kdy jsme v\u0161ichni netrp\u011bliv\u011b o\u010dek\u00e1vali zpr\u00e1vu, zda prob\u011bhne v dubnu p\u0159ipravovan\u00fd festival Operace Praha 2010, kde jsme m\u011bli naposledy kant\u00e1ty uv\u00e9st, jsem ten d\u017eb\u00e1n ne\u0161\u0165astnou n\u00e1hodou p\u0159i \u00faklidu rozbil. Kr\u00e1tce na to jsme se dozv\u011bd\u011bli, \u017ee se term\u00edn festivalu p\u0159esunuje na podzim, co\u017e pro n\u00e1s znamenalo prakticky ne\u00fa\u010dast. Starou inscenaci bychom po pr\u00e1zdnin\u00e1ch dohromady nedali a novou nestihli p\u0159ipravit. \u0160koda, ale p\u00e1nb\u016fh dal, p\u00e1nb\u016fh vzal. P\u0159\u00ed\u0161t\u011b to t\u0159eba vyjde l\u00e9pe. Mus\u00edm ale p\u0159iznat, \u017ee a\u010d jinak p\u0159\u00edli\u0161 pov\u011br\u010div\u00fd nejsem, za\u010d\u00edn\u00e1m si myslet, \u017ee n\u011bkter\u00e9 v\u011bci spolu souvis\u00ed asi n\u011bjak v\u00edc, ne\u017e jen n\u00e1hodou…;-)<\/p>\n\n\n\n T. Studen\u00fd<\/p>\n\n\n\n Datum: 17. 10. 2009<\/p>\n\n\n\n Autor: Radmila Hrdinov\u00e1<\/p>\n\n\n\n Zdroj: Pr\u00e1vo<\/p>\n\n\n\n Zp\u011bvy zem\u011b 13. 10. 2009 v Redut\u011b<\/p>\n\n\n\n Na sn\u00edmku v pop\u0159ed\u00ed O. Kopl\u00edk<\/p>\n\n\n\n Autor: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n Roku 1955 dostal Bohuslav Martin\u016f ve francouzsk\u00e9 Nizze po\u0161tou ver\u0161e od Miroslava Bure\u0161e ze skladatelovy rodn\u00e9 Poli\u010dky. Dal\u0161\u00edch deset dn\u00ed sta\u010dilo, aby podle nich Martin\u016f napsal kant\u00e1tu Otv\u00edr\u00e1n\u00ed stud\u00e1nek, v n\u00ed\u017e se vyznal ze sv\u00e9 l\u00e1sky k rodn\u00e9 Vyso\u010din\u011b a je\u017e se stala nejpopul\u00e1rn\u011bj\u0161\u00edm z jeho d\u011bl. N\u00e1sledovaly Legenda z d\u00fdmu bramborov\u00e9 nati (1956), Romance z pampeli\u0161ek (1957) a Mike\u0161 z hor (1959), v\u0161echny na Bure\u0161ovy texty. Studenti brn\u011bnsk\u00e9 konzervato\u0159e si vybrali Otv\u00edr\u00e1n\u00ed stud\u00e1nek, Legendu z d\u00fdmu bramborov\u00e9 nati a Mike\u0161e z hor, re\u017eis\u00e9r Tom\u00e1\u0161 Studen\u00fd s dirigentem Tom\u00e1\u0161em Krej\u010d\u00edm z nich vytvo\u0159ili p\u0159edstaven\u00ed spojen\u00e9 t\u00e9matem zem\u011b.<\/p>\n\n\n\n Na pr\u00e1zdn\u00e9m jevi\u0161ti v pozad\u00ed s prostorem pro komorn\u00ed orchestr je jedin\u00fdm sc\u00e9nografick\u00fdm prvkem kruh vysypan\u00fd hl\u00ednou, k n\u011bmu\u017e se vztahuj\u00ed v\u0161echny akce sboru i s\u00f3list\u016f. Mark\u00e9ta Chud\u00e1rkov\u00e1 a Blahoslav Hermann uvedou ka\u017edou kant\u00e1tu citac\u00ed lidov\u00e9 poezie a pot\u00e9 p\u0159edn\u00e1\u0161ej\u00ed text s p\u0159irozenou vypr\u00e1v\u011bc\u00ed kadenc\u00ed. Akce sboru jednoduch\u00fdm, nepopisn\u00fdm zp\u016fsobem komentuj\u00ed p\u0159\u00edb\u011bhy o \u010di\u0161t\u011bn\u00ed stud\u00e1nek a du\u0161\u00ed, Pann\u011b Marii, kter\u00e1 sestoupila z olt\u00e1\u0159e do vsi, a o st\u00e1du koz, je\u017e zachr\u00e1nilo kopec p\u0159ed krut\u00fdm mrazem. Sbor mlad\u00fdch hlas\u016f zp\u00edv\u00e1 kant\u00e1ty intona\u010dn\u011b \u010dist\u011b a hlasov\u011b vyrovnan\u011b, s prostotou i vroucnost\u00ed, je\u017e t\u00e9to hudb\u011b n\u00e1le\u017e\u00ed, pod spolehliv\u00fdm veden\u00edm Tom\u00e1\u0161e Krej\u010d\u00edho, kter\u00fd se uplat\u0148uje ve sborov\u00fdch \u010d\u00e1stech i jako v\u00fdborn\u00fd zp\u011bv\u00e1k. Sopr\u00e1nov\u00e1 s\u00f3la hezky zazp\u00edvaly Martina Houdov\u00e1, Eva Chalupov\u00e1 a Eva \u0160t\u011brbov\u00e1, altov\u00e1 Romana Jedli\u010dkov\u00e1 a Pavla Radostov\u00e1. S konzervatoristy dob\u0159e souzn\u011bli i hostuj\u00edc\u00ed Ond\u0159ej Kopl\u00edk a Richard Nov\u00e1k, kter\u00fd i p\u0159es drobn\u00e9 zav\u00e1h\u00e1n\u00ed v \u00favodn\u00ed kant\u00e1t\u011b je st\u00e1le vynikaj\u00edc\u00edm zp\u011bv\u00e1kem.<\/p>\n\n\n\n Zp\u011bvy zem\u011b jsou po\u010dinem, jen\u017e vzd\u00e1v\u00e1 hold leto\u0161n\u00edmu jubilantovi zp\u016fsobem, kter\u00fd dokonale souzn\u00ed s atmosf\u00e9rou kant\u00e1t, do nich\u017e Martin\u016f vlo\u017eil sv\u016fj stesk po domov\u011b a l\u00e1sku k n\u011bmu.<\/p>\n\n\n\n Bohuslav Martin\u016f: Zp\u011bvy zem\u011b<\/p>\n\n\n\n Opern\u00ed studio Konzervato\u0159e Brno, Divadlo Reduta 13. a 14. 10. 2009<\/p>\n\n\n\n Autor: Alena Borkov\u00e1<\/p>\n\n\n\n Zdroj: Opus musicum \/6<\/p>\n\n\n\n Zp\u011bvy zem\u011b 13. 10. 2009 v Redut\u011b<\/p>\n\n\n\n Na sn\u00edmku zprava T. Marada, L. Bakrl\u00edk, M. Ouda a dal\u0161<\/p>\n\n\n\n Autor: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n V posledn\u00ed dob\u011b p\u0159ekvapila vysokou \u00farovn\u00ed a netradi\u010dn\u00ed koncepc\u00ed ve\u0159ejn\u00e1 p\u0159edstaven\u00ed p\u011bveck\u00e9ho odd\u011blen\u00ed Konzervato\u0159e Brno v divadle Reduta a kr\u00e1lovopolsk\u00e1 Barka. V roce 2008 to bylo aktualizovan\u00e9 a z\u00e1rove\u0148 ur\u010dit\u00e9 m\u00ed\u0159e historismu v\u011brn\u00e9 ztv\u00e1rn\u011bn\u00ed opery D\u00edd\u00f3 a Aeneas anglick\u00e9ho barokn\u00edho mistra Henryho Purcella, v roce 2009 pak sc\u00e9nick\u00e9 proveden\u00ed pozdn\u00edchkant\u00e1t Bohuslava Martin\u016f \u2013 Otv\u00edr\u00e1n\u00ed stud\u00e1nek, Legenda z d\u00fdmu bramborov\u00e9 nati, Mike\u0161 z hor <\/strong>pod souborn\u00fdm n\u00e1zvem Zp\u011bvy zem\u011b. <\/strong>Ob\u011b inscenace jsou spole\u010dn\u00fdm re\u017eijn\u00edm a choreografick\u00fdm d\u00edlem mlad\u00e9ho re\u017eis\u00e9ra Tom\u00e1\u0161e Studen\u00e9ho a vynikaj\u00edc\u00ed choreografky Ladislavy Ko\u0161\u00edkov\u00e9. V\u017edy vyu\u017e\u00edvaj\u00ed sc\u00e9nu t\u00e9m\u011b\u0159 bez kulis, na n\u00ed\u017e nositeli ve\u0161ker\u00e9ho d\u011bn\u00ed i ilustra\u010dn\u00edch a v\u00fdrazov\u00fdch informac\u00ed jsou \u00fa\u010dinkuj\u00edc\u00ed zp\u011bv\u00e1ci, jejich formace a pantomimick\u00e9 a pohybov\u00e9 sd\u011blov\u00e1n\u00ed.<\/p>\n\n\n\n V p\u0159\u00edpad\u011b kant\u00e1t Martin\u016f jde o \u010din p\u0159\u00edmo pr\u016fkopnick\u00fd a tak\u00e9 o spln\u011bn\u00ed snu dirigenta a dramaturga V\u00e1clava Noska z d\u0159\u00edv\u011bj\u0161\u00edch let. Sbory se s\u00f3ly a recit\u00e1tory se tradi\u010dn\u011b prov\u00e1d\u011bj\u00ed koncertn\u011b \u2013 tj. staticky; p\u0159ev\u00e9st tento ryze koncertn\u00ed projev do vyj\u00e1d\u0159en\u00ed sc\u00e9nick\u00e9ho se zpo\u010d\u00e1tku zd\u00e1lo t\u00e9m\u011b\u0159 nemo\u017en\u00e9. Inscen\u00e1to\u0159i necht\u011bli vn\u00e1\u0161et do kant\u00e1t n\u011bjak\u00e9 zvn\u011bj\u0161ku vykonstruovan\u00e9 d\u011bje; cht\u011bli pouze hudbu a obsah textu doplnit adekv\u00e1tn\u00edm pohybem a obrazem \u2013 a to se jim zda\u0159ilo skv\u011ble. Malebn\u00e9 rozvr\u017een\u00ed st\u00e1le se m\u011bn\u00edc\u00ed sc\u00e9ny, tvo\u0159en\u00e9 pouze pohybem postav, kruhem hl\u00edny a rekvizitou d\u017eb\u00e1nu s vodou souzn\u011blo se spont\u00e1nn\u00edm projevem hudebn\u00edm a nikdy nesklouzlo k ban\u00e1ln\u00ed popisnosti d\u00edky vkusn\u00e9 m\u00ed\u0159e abstraktn\u00ed stylizace (sc\u00e9na- Ji\u0159\u00ed Schlosser j.h.). Av\u0161ak dosti chv\u00e1ly profesion\u00e1l\u016f \u2013 obdiv si tak\u00e9 zaslou\u017e\u00ed je\u0161t\u011b nedozr\u00e1l\u00ed zp\u011bv\u00e1ci a herci: dok\u00e1zali nejen zvl\u00e1dnout sborov\u00e9 a s\u00f3lov\u00e9 party s j\u00edmav\u00fdm v\u00fdrazem a intona\u010dn\u00ed \u010distotou, ale i pohybem a hereck\u00fdmi gesty p\u0159esv\u011bd\u010dit o obsahu zp\u00edvan\u00e9ho textu. Sbory zn\u011bly nosn\u011b a barevn\u011b \u2013 zp\u00edvali p\u0159ece budouc\u00ed s\u00f3list\u00e9 \u2013 s\u00f3la organicky vypl\u00fdvala z celku \u2013 srovn\u00e1v\u00e1n\u00ed jednotliv\u00fdch, teprve se vyv\u00edjej\u00edc\u00edch hlas\u016f by bylo zat\u00edm p\u0159ed\u010dasn\u00e9. Eva \u0160t\u011brbov\u00e1, Jana Jel\u00ednkov\u00e1, Eva Chalupov\u00e1, Romana Jedli\u010dkov\u00e1, Kate\u0159ina Dost\u00e1lov\u00e1, Martina Houdov\u00e1, Barbora Ne\u010dasov\u00e1, Pavla Radostov\u00e1 \u2013 to jsou jm\u00e9na, o nich\u017e jist\u011b v budoucnosti usly\u0161\u00edme na p\u011bveck\u00fdch p\u00f3di\u00edch, z herc\u016f pak Mark\u00e9ta Chud\u00e1rkov\u00e1 a Blahoslav Hermann. Na p\u0159edstaven\u00edch v Redut\u011b (13. a 14. 10.) jsme obdivovali tak\u00e9 profesion\u00e1ln\u00ed hosty – v Otv\u00edr\u00e1n\u00ed stud\u00e1nek v barytonov\u00e9m s\u00f3le zku\u0161en\u00e9ho Richarda Nov\u00e1ka a v kant\u00e1t\u011b Mike\u0161 z hor tenoristu Ond\u0159eje Kopl\u00edka. Ocenili jsme d\u016fslednou pr\u00e1ci se studenty Tom\u00e1\u0161e Krej\u010d\u00edho, kter\u00fd dirigoval, zp\u00edval na jevi\u0161ti a p\u0159edt\u00edm v\u0161e precizn\u011b nastudoval i s instrument\u00e1ln\u00edm souborem s pianistkou Jarmilou Mraz\u00edkovou. Na z\u00e1v\u011br cit\u00e1t z pr\u016fvodn\u00edho slova Tom\u00e1\u0161e Studen\u00e9ho: \u201e…t\u00e9ma kant\u00e1t se dot\u00fdk\u00e1 prapodstatn\u00fdch lidsk\u00fdch princip\u016f a p\u0159ipom\u00edn\u00e1 n\u00e1m, jak hluboce jsme determinov\u00e1ni p\u0159\u00edrodn\u00edmi silami a z\u00e1kony, je\u017e nem\u016f\u017eeme ovlivnit.\u201c<\/em><\/p>\n\n\n\n Autor: Barbora Dolej\u0161ov\u00e1 (Divadeln\u00ed v\u011bda, FFUK)<\/p>\n\n\n\n Zp\u011bvy zem\u011b 13. 10. 2009 v Redut\u011b<\/p>\n\n\n\n Autor: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n Na brn\u011bnsk\u00e9 konzervato\u0159i se zrodilo opern\u00ed studio. A\u010dkoli by se pom\u011br\u016fm neznal\u00e9mu \u010dlov\u011bku mohlo zd\u00e1t, \u017ee fungov\u00e1n\u00ed podobn\u00e9 praktick\u00e9 divadeln\u00ed d\u00edlny je v procesu p\u0159\u00edpravy mlad\u00fdch um\u011blc\u016f na jejich budouc\u00ed povol\u00e1n\u00ed samoz\u0159ejmost\u00ed, opak je pravdou. Studenti klasick\u00e9ho zp\u011bvu na \u0161kol\u00e1ch nastuduj\u00ed n\u011bkolik sc\u00e9n z oper, ti \u0161\u0165astn\u011bj\u0161\u00ed z nich celou operu, mo\u017en\u00e1 i dv\u011b. O c\u00edlen\u00e9 systematick\u00e9 pr\u00e1ci se d\u00e1 v\u0161ak hovo\u0159it z\u0159\u00eddka.<\/p>\n\n\n\n V Brn\u011b tedy maj\u00ed, vedle Komorn\u00ed opery JAMU, nov\u00e9 opern\u00ed studio, kter\u00e9 si za svou prvn\u00ed inscenaci zvolilo sc\u00e9nick\u00e9 nastudov\u00e1n\u00ed t\u0159\u00ed ze \u010dty\u0159 Martin\u016f kant\u00e1t z cyklu Zp\u011bvy Vyso\u010diny \u2013 Otv\u00edr\u00e1n\u00ed stud\u00e1nek, Legenda z d\u00fdmu bramborov\u00e9 nati a Mike\u0161 z hor. To v\u0161e pod n\u00e1zvem Zp\u011bvy zem\u011b. Tv\u016frci rezignovali na osv\u011bd\u010den\u00e9 opern\u00ed kusy a \u201ed\u011bl\u00e1n\u00ed velk\u00e9 opery\u201c, naopak vzniklo divadlo pln\u011b respektuj\u00edc\u00ed a reflektuj\u00edc\u00ed ml\u00e1d\u00ed interpret\u016f, divadlo \u017eiveln\u00e9, p\u0159irozen\u00e9, nepatetick\u00e9, dokonale koresponduj\u00edc\u00ed s hudbou Bohuslava Martin\u016f i ver\u0161i Miloslava Bure\u0161e. Re\u017eis\u00e9r Tom\u00e1\u0161 Studen\u00fd a choreografka Ladislava Ko\u0161\u00edkov\u00e1 vyu\u017eili pohybov\u00e9ho potenci\u00e1lu v\u0161ech z\u00fa\u010dastn\u011bn\u00fdch s c\u00edlem nau\u010dit je mo\u017en\u00e9mu zp\u016fsobu uchopen\u00ed jevi\u0161tn\u00edho prostoru. Studen\u00fd nestav\u011bl psychologicky v\u011brohodn\u00fd p\u0159\u00edb\u011bh. Stvo\u0159il s vyu\u017eit\u00edm t\u0159i p\u0159\u00edrodn\u00edch \u017eivl\u016f \u2013 vody, zem\u011b a ohn\u011b – sp\u00ed\u0161e divadlo v\u00fdtvarn\u00e9 a ritu\u00e1ln\u00ed, do n\u011bho\u017e byli p\u0159\u00edmo zapojeni i vyprav\u011b\u010di, instrumentalist\u00e9 a dirigent Tom\u00e1\u0161 Krej\u010d\u00ed.<\/p>\n\n\n\n Celkov\u00e9mu dojmu pak neu\u0161kodilo ani to, \u017ee konzervato\u0159 byla schopn\u00e1 z vlastn\u00edch zdroj\u016f obsadit jen d\u00edv\u010d\u00ed s\u00f3la, nav\u00edc ne v\u017edy ide\u00e1ln\u011b, ani \u017ee hostuj\u00edc\u00ed legend\u011b Richardu Nov\u00e1kovi v z\u00e1v\u011bru Stud\u00e1nek zkomplikovaly situaci drobn\u00e9 v\u00fdpadky textu. Pr\u00e1v\u011b jeho \u00fa\u010dast na projektu byla symbolick\u00e1. B\u00fdval\u00fd absolvent, v\u00fdjime\u010dn\u00e1 osobnost s v\u00fdjime\u010dnou kari\u00e9rou, v postav\u011b poutn\u00edka vracej\u00edc\u00edho se do m\u00edst sv\u00e9ho ml\u00e1d\u00ed, ke ko\u0159en\u016fm. I pro v\u0161echny z\u00fa\u010dastn\u011bn\u00e9 poslucha\u010de konzervato\u0159e muselo b\u00fdt toto setk\u00e1n\u00ed stimulem, motivac\u00ed a velkou zku\u0161enost\u00ed. Snad t\u00edm v\u0161\u00edm pro n\u011b bude v budoucnu i dal\u0161\u00ed spole\u010dn\u00e1 tv\u016fr\u010d\u00ed pr\u00e1ce.<\/p>\n\n\n\n Datum: 19. 10. 2009<\/p>\n\n\n\n Autor: Kate\u0159ina \u0158eh\u00e1kov\u00e1 (Divadeln\u00ed v\u011bda, FFUK)<\/p>\n\n\n\n Zp\u011bvy zem\u011b 13. 10. 2009 v Redut\u011b<\/p>\n\n\n\n Na sn\u00edmku M. Ba\u0159inka (stoj\u00edc\u00ed), a dal\u0161\u00ed<\/p>\n\n\n\n Autor: Jan Dvo\u0159\u00e1k<\/p>\n\n\n\n Naj\u00edt vhodn\u00fd titul, kter\u00fd byste mohli inscenovat se studenty klasick\u00e9ho zp\u011bvu, je velik\u00fd probl\u00e9m. Mus\u00edte zohlednit hlasov\u00e9 obory mlad\u00fdch p\u011bvc\u016f, jejich mo\u017enosti a dosavadn\u00ed zku\u0161enosti a n\u00e1ro\u010dnost jednotliv\u00fdch part\u016f skladby. Na um\u011bleck\u00e9 \u0161koly se obecn\u011b hl\u00e1s\u00ed v\u00edce sle\u010den ne\u017e mlad\u00fdch p\u00e1n\u016f, co\u017e milostn\u00e9 a heroick\u00e9 opern\u00ed p\u0159\u00edb\u011bhy p\u0159\u00edli\u0161 nereflektuj\u00ed. Tak\u017ee pokud m\u00e1te obsazen\u00ed jen na Sestru Angeliku, kter\u00e1 se odehr\u00e1v\u00e1 v \u017eensk\u00e9m kl\u00e1\u0161te\u0159e, ale p\u0159ijde v\u00e1m, \u017ee hr\u00e1t Pucciniho na konzervato\u0159i nen\u00ed zrovna dobr\u00fd n\u00e1pad, zb\u00fdv\u00e1 v\u00e1m u\u017e jen barokn\u00ed opera, kde je v\u011bt\u0161ina part\u016f psan\u00e1 pro sopr\u00e1n, mezzosopr\u00e1n a alt.<\/p>\n\n\n\n Na brn\u011bnsk\u00e9 konzervato\u0159i na to ale \u0161li je\u0161t\u011b jinak. Chopili se nerealizovan\u00e9ho n\u00e1padu brn\u011bnsk\u00e9ho dirigenta a dramaturga V\u00e1clava Noska, velk\u00e9ho propag\u00e1tora Bohuslava Martin\u016f a soudob\u00e9 hudby v\u016fbec, a sc\u00e9nicky nastudovali t\u0159i ze \u010dty\u0159 kant\u00e1t, kter\u00e9 Martin\u016f slo\u017eil na ver\u0161e b\u00e1sn\u00edka Miloslava Bure\u0161e – Otv\u00edr\u00e1n\u00ed stud\u00e1nek, Legenda z d\u00fdmu bramborov\u00e9 nati a Mike\u0161 z hor – pod souhrnn\u00fdm n\u00e1zvem Zp\u011bvy zem\u011b. Ve sborov\u00fdch kant\u00e1t\u00e1ch tak dostalo prostor mnoho student\u016f a p\u0159irozen\u00e1 re\u017eie (Tom\u00e1\u0161 Studen\u00fd) a choreografie (Ladislava Ko\u0161\u00edkov\u00e1) tento prostor umocnily i sc\u00e9nicky. V brn\u011bnsk\u00e9 Redut\u011b tak nebyla k vid\u011bn\u00ed velk\u00e1 opern\u00ed gesta, ani hra na \u201evelk\u00e9\u201c divadlo. Nic nebylo n\u00e1siln\u00e9, ale naopak um\u00edrn\u011bn\u00e9 a mil\u00e9. V\u0161e bylo odvozeno od Martin\u016f hudby a ritu\u00e1ln\u00edho charakteru kant\u00e1t. S v\u011bt\u0161\u00edmi mu\u017esk\u00fdmi s\u00f3ly vypomohli tenorista Ond\u0159ej Kopl\u00edk a zejm\u00e9na st\u00e1le aktivn\u00ed emeritn\u00ed s\u00f3lista Jan\u00e1\u010dkovy opery Richard Nov\u00e1k. Osmasedmdes\u00e1tilet\u00fd basbarytonista tu vytvo\u0159il n\u00e1dhern\u00fd protip\u00f3l mlad\u00fdch konzervatorist\u016f. Celkov\u00fd kompaktn\u00ed obraz dotvo\u0159il i dirigent Tom\u00e1\u0161 Krej\u010d\u00ed a hr\u00e1\u010di mal\u00e9ho instrument\u00e1ln\u00edho ans\u00e1mblu, kte\u0159\u00ed se tak\u00e9 zapojovali do rozvern\u00e9 i ob\u0159adn\u00ed jevi\u0161tn\u00ed hry. Martin\u016f Zp\u011bvy zem\u011b jsou prvn\u00ed inscenac\u00ed nov\u011b vznikl\u00e9ho opern\u00edho studia p\u0159i Konzervato\u0159i Brno, kter\u00e1 uk\u00e1zala, kter\u00fdm sm\u011brem by se \u0161koln\u00ed hudebn\u011b divadeln\u00ed produkce mohly ub\u00edrat.<\/p>\n","protected":false},"excerpt":{"rendered":" Motto: Jdi a bosou nohou vn\u00edmej dech zem\u011b. Jak d\u00fdch\u00e1 k tob\u011b, tak i ke mn\u011b a matku p\u0159ipom\u00edn\u00e1\u2026 Hudebn\u011b divadeln\u00ed ritu\u00e1l \u2013 sc\u00e9nick\u00e9 proveden\u00ed Otv\u00edr\u00e1n\u00ed stud\u00e1nek, Legendy z d\u00fdmu bramborov\u00e9 nati a Mike\u0161e z hor, t\u0159\u00ed kant\u00e1t Bohuslava Martin\u016f z cyklu Zp\u011bvy Vyso\u010diny. Jedn\u00e1 se dosud o prvn\u00ed pokus uv\u00e9st souborn\u011b tyto t\u0159i kant\u00e1ty sc\u00e9nicky. Tato inscenace byla uvedena p\u0159i p\u0159\u00edle\u017eitosti 50. v\u00fdro\u010d\u00ed smrti Bohuslava […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1720","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages\/1720","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1720"}],"version-history":[{"count":0,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages\/1720\/revisions"}],"wp:attachment":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1720"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}![\"\"\/](\"http:\/\/konzervatorbrno.eu\/imgins\/ins_003_02.jpg\")
<\/figure>\n\n\n\nHudba:<\/td> Bohuslav Martin\u016f<\/strong><\/td><\/tr> Ver\u0161e:<\/td> Miloslav Bure\u0161<\/strong><\/td><\/tr> Dirigent:<\/td> Tom\u00e1\u0161 Krej\u010d\u00ed<\/strong><\/td><\/tr> Re\u017eie, kost\u00fdmy:<\/td> Tom\u00e1\u0161 Studen\u00fd<\/strong><\/td><\/tr> Choreografie:<\/td> Ladislava Ko\u0161\u00edkov\u00e1<\/strong><\/td><\/tr> Sc\u00e9na:<\/td> Ji\u0159\u00ed Schlosser j.h. (FAVU VUT Brno)<\/strong><\/td><\/tr> Nastudov\u00e1n\u00ed:<\/td> Tom\u00e1\u0161 Krej\u010d\u00ed, Jarmila Mraz\u00edkov\u00e1 \u010ce\u0161kov\u00e1, Jarmila I\u0161tvanov\u00e1<\/strong><\/td><\/tr> Pedagogick\u00e9 veden\u00ed:<\/td> Petr Jul\u00ed\u010dek (vedouc\u00ed odd\u011blen\u00ed s\u00f3lov\u00e9ho zp\u011bvu)<\/strong><\/td><\/tr><\/tbody><\/table>\n\n\n\n ![\"\"\/](\"http:\/\/konzervatorbrno.eu\/imgins\/ins_003_03.jpg\")
<\/figure>\n\n\n\nP\u0159edpremi\u00e9rov\u00e1 uveden\u00ed:<\/td> 23.6.2009<\/strong><\/td> Koncertn\u00ed s\u00e1l Konzervato\u0159e Brno<\/strong> <\/td><\/tr> 24.6.2009<\/strong><\/td> N\u00e1dvo\u0159\u00ed star\u00e9 radnice,<\/strong> Brno<\/td><\/tr> 3.9.2009<\/strong><\/td> N\u00e1dvo\u0159\u00ed star\u00e9 radnice,<\/strong> Brno<\/td><\/tr> Premi\u00e9ra:<\/td> 13.10.2009<\/strong><\/td> Divadlo Reduta <\/strong> (zeln\u00fd trh 4, Brno)<\/td><\/tr> Repr\u00edza:<\/td> 14.10.2009<\/strong><\/td> Divadlo Reduta <\/strong> (zeln\u00fd trh 4, Brno)<\/td><\/tr><\/tbody><\/table>\n\n\n\n ![\"\"\/](\"http:\/\/konzervatorbrno.eu\/imgins\/ins_003_04.jpg\")
<\/figure>\n\n\n\nO inscenaci<\/strong><\/h2>\n\n\n\n
![\"\"\/](\"http:\/\/konzervatorbrno.eu\/imgins\/ins_003_05.jpg\")
<\/figure>\n\n\n\n\u00da\u010dinkuj\u00edc\u00ed:<\/h2>\n\n\n\n
sopr\u00e1n:<\/strong><\/td> Kate\u0159ina Dost\u00e1lov\u00e1, Martina Houdov\u00e1, Barbora Ne\u010dasov\u00e1<\/td><\/tr> alt:<\/strong><\/td> Romana Jedli\u010dkov\u00e1, Kamila Kru\u017e\u00edkov\u00e1<\/td><\/tr> baryton:<\/strong><\/td> Richard Nov\u00e1k, j.h., Tom\u00e1\u0161 Krej\u010d\u00ed<\/td><\/tr><\/tbody><\/table>\n\n\n\n sopr\u00e1n:<\/strong><\/td> Jana Jel\u00ednkov\u00e1, Eva \u0160t\u011brbov\u00e1, Eva Chalupov\u00e1<\/td><\/tr> alt:<\/strong><\/td> Romana Jedli\u010dkov\u00e1, Kamila Kru\u017e\u00edkov\u00e1, Pavla Radostov\u00e1<\/td><\/tr> baryton:<\/strong><\/td> Richard Nov\u00e1k, j.h., Tom\u00e1\u0161 Krej\u010d\u00ed<\/td><\/tr><\/tbody><\/table>\n\n\n\n sopr\u00e1n:<\/strong><\/td> Jana Jel\u00ednkov\u00e1, Eva \u0160t\u011brbov\u00e1, Eva Chalupov\u00e1<\/td><\/tr> tenor:<\/strong><\/td> Ond\u0159ej Kopl\u00edk, j.h., Tom\u00e1\u0161 Studen\u00fd<\/td><\/tr> recit\u00e1to\u0159i:<\/strong><\/td> Mark\u00e9ta Chud\u00e1rkov\u00e1, Blahoslav Hermann<\/td><\/tr><\/tbody><\/table>\n\n\n\n klav\u00edr:<\/strong><\/td> Jarmila Mraz\u00edkov\u00e1 \u010ce\u0161kov\u00e1<\/td><\/tr> housle:<\/strong><\/td> Marek Filip, Eva Kr\u00e1l\u00ed\u010dkov\u00e1<\/td><\/tr> viola:<\/strong><\/td> Milo\u0161 Ba\u0159inka<\/td><\/tr> fl\u00e9tna:<\/strong><\/td> Barbora Jak\u00fabkov\u00e1<\/td><\/tr> klarinet:<\/strong><\/td> Michal K\u0159\u00ed\u017e<\/td><\/tr> lesn\u00ed roh:<\/strong><\/td> V\u00e1clav \u0160mi\u0159\u00e1k<\/td><\/tr> akordeon:<\/strong><\/td> Lucie V\u00edtkov\u00e1<\/td><\/tr><\/tbody><\/table>\n\n\n\n ![\"\"\/](\"http:\/\/konzervatorbrno.eu\/imgins\/ins_003_06.jpg\")
<\/figure>\n\n\n\nsopr\u00e1n:<\/strong><\/td> Zdislava Bo\u010dkov\u00e1, Alena Borkov\u00e1, Martina Houdov\u00e1, Eva Chalupov\u00e1, Jana Jel\u00ednkov\u00e1, Barbora Ne\u010dasov\u00e1, Ad\u00e9la Papayov\u00e1, Ivana Pavl\u016f, Mark\u00e9ta \u0160ebestov\u00e1, Eva \u0160t\u011brbov\u00e1, Jana Vondr\u016f<\/td><\/tr> alt:<\/strong><\/td> Kate\u0159ina Dost\u00e1lov\u00e1, Romana Jedli\u010dkov\u00e1, Kamila Kru\u017e\u00edkov\u00e1, Michaela Lip\u00e1rov\u00e1, So\u0148a Ne\u010dasov\u00e1, Pavla Radostov\u00e1, Kl\u00e1ra Varmu\u017eov\u00e1<\/td><\/tr> tenor:<\/strong><\/td> Zden\u011bk Dole\u017eal, Petr Kadidlo, Ond\u0159ej \u0160pa\u010dek, Jan Hal\u00edk<\/td><\/tr> bas:<\/strong><\/td> Luk\u00e1\u0161 Bakrl\u00edk, Bohuslav Jelen, Radek Kor\u010d\u00e1k, Tom\u00e1\u0161 Marada, Marek Ouda<\/td><\/tr><\/tbody><\/table>\n\n\n\n Epilog<\/strong><\/h2>\n\n\n\n
Recenze<\/h3>\n\n\n\n
Zem\u011b hl\u00edny, kamen\u00ed a l\u00e1sky<\/strong><\/h2>\n\n\n\n
![\"\"\/](\"http:\/\/konzervatorbrno.eu\/imgrec\/rec_01_01.jpg\")
<\/figure>\n\n\n\nSpln\u011bn\u00e1 vize V\u00e1clava Noska<\/strong><\/h2>\n\n\n\n
![\"\"\/](\"http:\/\/konzervatorbrno.eu\/imgrec\/rec_02_01.jpg\")
<\/figure>\n\n\n\nZp\u011bvy zem\u011b: oslava hudby, divadla a ml\u00e1d\u00ed<\/strong><\/h2>\n\n\n\n
![\"\"\/](\"http:\/\/konzervatorbrno.eu\/imgrec\/rec_03_01.jpg\")
<\/figure>\n\n\n\nZp\u011bvy brn\u011bnsk\u00e9 konzervato\u0159e<\/strong><\/h2>\n\n\n\n
![\"\"\/](\"http:\/\/konzervatorbrno.eu\/imgrec\/rec_04_01.jpg\")
<\/figure>\n\n\n\n