{"id":1615,"date":"2019-07-26T12:35:25","date_gmt":"2019-07-26T10:35:25","guid":{"rendered":"https:\/\/konzervatorbrno.eu\/test\/?page_id=1615"},"modified":"2019-07-26T12:36:40","modified_gmt":"2019-07-26T10:36:40","slug":"cimbal","status":"publish","type":"page","link":"https:\/\/konzervatorbrno.eu\/?page_id=1615","title":{"rendered":"Cimb\u00e1l"},"content":{"rendered":"\n

Cimb\u00e1lov\u00e1 t\u0159\u00edda brn\u011bnsk\u00e9 konzervato\u0159e po celou dobu sv\u00e9ho trv\u00e1n\u00ed, tedy od roku 1965, rozvij\u00ed a osobit\u011b zkvalit\u0148uje pr\u00e1ci s poslucha\u010di tohoto mlad\u00e9ho, ale velmi progresivn\u00edho a atraktivn\u00edho oboru. Na po\u010d\u00e1tku byly p\u0159\u00edkladn\u011b vypracovan\u00e9 osnovy v\u00fduky a tak\u00e9 trp\u011bliv\u00e1, systematick\u00e1 pr\u00e1ce zakladatelky oboru na\u0161ich prvn\u00edch absolvent\u016f prof. Milady Vlas\u00e1kov\u00e9-Orsk\u00e9, <\/strong>kter\u00e1 p\u0159inesla \u00fasp\u011bchy v podob\u011b vysok\u00e9 um\u011bleck\u00e9 a interpreta\u010dn\u00ed \u00farovn\u011b na\u0161ich prvn\u00edch absolvent\u016f.<\/p>\n\n\n\n

\"Historie<\/figure><\/div>\n\n\n\n

Na tyto z\u00e1klady v ur\u010dit\u00e9 kontinuit\u011b navazuje od r. 2000 jej\u00ed absolvent Dalibor\u00a0\u0160trunc.\u00a0<\/strong>Filosofie jeho v\u00fduky cimb\u00e1lov\u00e9 hry vych\u00e1z\u00ed ze zku\u0161enost\u00ed dom\u00e1c\u00edch i sv\u011btov\u00fdch \u0161kol, ale akcentuje i region\u00e1ln\u00ed specifika a historick\u00e9 souvislosti. D\u00edky nim se zp\u016fsob v\u00fduky hry na cimb\u00e1l v Brn\u011b, pota\u017emo na Morav\u011b, v n\u011bkter\u00fdch krit\u00e9ri\u00edch li\u0161\u00ed od t\u011bch, kter\u00e1 jsou ze stejn\u00fdch d\u016fvod\u016f za\u017eit\u00e1 kup\u0159. v zem\u00edch na v\u00fdchod od n\u00e1s (Slovensko, Rumunsko, Ma\u010farsko). S\u00e1m k tomu poznamenal:<\/p>\n\n\n\n

\u201e Moravsk\u00e1 cimb\u00e1lov\u00e1 \u0161kola je dle m\u00e9ho n\u00e1zoru fenom\u00e9n, kter\u00fd vypl\u00fdv\u00e1 z mnoha okolnost\u00ed a vliv\u016f. Jedn\u00edm z nich je bezesporu za\u010d\u00e1tek v\u00fduky hry na cimb\u00e1l u n\u00e1s. Jeden z pr\u016fkopn\u00edk\u016f a zakladatel\u016f v\u00fduky hry na Morav\u011b, prof. Vojt\u011bch Brada, s\u00e1m sp\u00ed\u0161e teoretik ne\u017e praktik, ur\u010dit\u011b vych\u00e1zel ve sv\u00fdch kantorsk\u00fdch za\u010d\u00e1tc\u00edch ze zpracovan\u00fdch a zaveden\u00fdch metodick\u00fdch poznatk\u016f a postup\u016f u z historick\u00e9ho pohledu tak etablovan\u00fdch instrument\u016f, jak\u00fdmi bezesporu jsou klav\u00edr \u010di varhany. T\u00e9to m\u00e9 domn\u011bnce snad d\u00e1v\u00e1 za pravdu i fakt, \u017ee prof. Brada byl p\u0159edev\u0161\u00edm varhan\u00edkem a klav\u00edristou. Hled\u00e1n\u00ed podobn\u00fdch v\u00fdrazov\u00fdch mo\u017enost\u00ed, zvukov\u00e9 barevnosti a rozmanitosti se v \u201enov\u00e9m\u201c pohledu na cimb\u00e1l odv\u00edjelo p\u0159edev\u0161\u00edm od pr\u00e1ce s t\u00f3nem a jeho tvorbou. Na pevn\u00fdch ko\u0159enech Bradov\u00fdch z\u00e1klad\u016f vyrostly generace pou\u010den\u00fdch n\u00e1sledovn\u00edk\u016f, kte\u0159\u00ed se vz\u00e1jemn\u011b obohacuj\u00ed a posouvaj\u00ed d\u00e1l sami sebe i mo\u017enosti sv\u00e9ho instrumentu. Mysl\u00edm, \u017ee pr\u00e1v\u011b t\u00f3nov\u00e1 kultivovanost, sytost a pestrost, kter\u00e1 je odrazem dlouholet\u00e9 systematick\u00e9 a metodick\u00e9 pr\u00e1ce s \u00fahozem, je jedn\u00edm z v\u00fdrazn\u00fdch, ne-li v\u016fbec t\u00edm nejv\u00fdrazn\u011bj\u0161\u00edm znakem moravsk\u00e9 \u0161koly hry na cimb\u00e1l. Dal\u0161\u00ed charakteristick\u00e9 znaky vych\u00e1zej\u00ed podle mne z historick\u00fdch hudebn\u00edch souvislost\u00ed, proto\u017ee na Morav\u011b se objevuj\u00ed nejenom vlivy \u010desk\u00e9 a n\u011bmeck\u00e9, tedy sp\u00ed\u0161e z\u00e1padn\u00ed lidov\u00e9 hudby, ale samoz\u0159ejm\u011b i t\u00e9 v\u00fdchodn\u00ed \u2013 slovensk\u00e9, ma\u010farsk\u00e9, rumunsk\u00e9 \u010di ukrajinsk\u00e9. Tomuto m\u00edsen\u00ed odpov\u00edd\u00e1 i harmonick\u00e9 a melodick\u00e9 c\u00edt\u011bn\u00ed moravsk\u00fdch cimbalist\u016f. Nen\u00ed to hran\u00ed na efekt, p\u0159ehnan\u011b rytmizovan\u00e9, perkusivn\u00ed \u010di jinak v\u00fdrazov\u011b s\u00f3lov\u00e9. O to v\u00edce je v n\u011bm ale n\u011bhy, citu a zp\u011bvnosti, kter\u00e9 se p\u0159irozen\u011b poj\u00ed s hloubkou, neok\u00e1zalost\u00ed a cudnost\u00ed moravsk\u00e9 lidov\u00e9 hudby. Moravsk\u00fd cimb\u00e1l zp\u00edv\u00e1 v pln\u00e9m rozsahu, nekr\u00e1\u010d\u00ed v\u017edy striktn\u011b a slep\u011b s doprovodem, r\u00e1d si zacifruje spole\u010dn\u011b s housli\u010dkami \u010di klarinetem, vypl\u0148uje svobodn\u011b prostor cel\u00e9 partitury, ale m\u00e1lokdy na sebe strh\u00e1v\u00e1 ve\u0161kerou pozornost. Moravsk\u00fd cimb\u00e1l dok\u00e1\u017ee i n\u011bkolika jednoduch\u00fdmi t\u00f3ny vymalovat kr\u00e1sn\u00fd p\u00eds\u0148ov\u00fd obraz. Moravsk\u00fd cimbalista um\u00ed b\u00fdt impresionistou, kter\u00fd m\u00e1 na palet\u011b nev\u0161edn\u00ed, n\u011b\u017en\u00e9 a jemn\u00e9 barvy. Barvy, kter\u00e9 se prol\u00ednaj\u00ed zcela m\u011bkce, p\u0159irozen\u011b a nezam\u011bniteln\u011b. Cimb\u00e1l nen\u00ed dokonal\u00fd instrument. M\u00e1 sv\u00e1 \u00faskal\u00ed: technickou nedokonalost, problematick\u00e9 lad\u011bn\u00ed, absenci historick\u00e9 literatury, hmotnost apod. Tyto nedostatky v\u0161ak vyva\u017euje nab\u00eddkou volnosti \u2013 melodick\u00e9, harmonick\u00e9, rytmick\u00e9 a p\u0159edev\u0161\u00edm v\u00fdrazov\u00e9. \u0160k\u00e1la v\u00fdrazov\u00fdch mo\u017enost\u00ed je tak pestr\u00e1, \u017ee d\u00e1v\u00e1 ka\u017ed\u00e9mu cimbalistovi mo\u017enost b\u00fdt naprost\u00fdm origin\u00e1lem. Moravsk\u00e1 cimb\u00e1lov\u00e1 \u0161kola nem\u00e1 pevn\u00e9 mantinely, nen\u00ed uzav\u0159en\u00e1 a zakonzervovan\u00e1. Spojil se v n\u00ed pou\u010den\u00fd didaktick\u00fd pohled a sm\u011br s p\u0159irozen\u00fdm moravsk\u00fdm c\u00edt\u011bn\u00edm. Stav\u00ed na citu, muzikantsk\u00e9 fantazii, originalit\u011b \u2013 a m\u011bla by vych\u00e1zet z toho, co n\u00e1m je z historick\u00e9ho hlediska hudebn\u011b i lidsky bl\u00edzk\u00e9. To v\u0161echno se v Brn\u011b sna\u017e\u00edme zachovat a rozv\u00edjet.\u201c<\/em><\/p>\n\n\n\n

\"\"<\/figure><\/div>\n\n\n\n

Brn\u011bnsk\u00e1 cimb\u00e1lov\u00e1 \u0161kola tedy po celou dobu sv\u00e9ho trv\u00e1n\u00ed klade d\u016fraz nejen na modern\u00ed prvky ve v\u00fduce, ale tak\u00e9 na tradici a v\u00fdlu\u010dnost sv\u00e9ho projevu. Poslucha\u010di jsou b\u011bhem studia vedeni k z\u00edsk\u00e1n\u00ed technick\u00e9 dovednosti a rozv\u00edjej\u00ed se jejich hudebn\u011b v\u00fdrazov\u00e9 schopnosti. P\u0159ipravuj\u00ed se k samostatn\u00e9mu hudebn\u00edmu my\u0161len\u00ed s akcentem na pozd\u011bj\u0161\u00ed vyu\u017eit\u00ed v profesion\u00e1ln\u00ed praxi tak, aby byli schopni p\u016fsobit nejen jako s\u00f3list\u00e9 \u010di \u010dlenov\u00e9 nejr\u016fzn\u011bj\u0161\u00edch um\u011bleck\u00fdch soubor\u016f, ale aby tak\u00e9 um\u011bli sv\u00e9 znalosti zhodnotit coby pedagogov\u00e9 na ZU\u0160.<\/p>\n\n\n\n

Kvalita s\u00f3lov\u00e9 interpretace na\u0161ich absolvent\u016f se posouv\u00e1 v\u00fdrazn\u011b dop\u0159edu a cimb\u00e1l se emancipuje na \u00farove\u0148 jin\u00fdch n\u00e1stroj\u016f s bohat\u0161\u00edm historick\u00fdm uplatn\u011bn\u00edm. Jejich hr\u00e1\u010dsk\u00e1 zdatnost nez\u016fstala bez pov\u0161imnut\u00ed, a tak vznikla cel\u00e1 \u0159ada velmi hodnotn\u00e9 literatury pro cimb\u00e1l, a\u0165 u\u017e s\u00f3lov\u00fd \u010di s doprovodem, psan\u00e1 jim \u201ep\u0159\u00edmo na t\u011blo\u201c (mj. Z. Luk\u00e1\u0161, B. \u0158eho\u0159, M. \u0160t\u011bdro\u0148, A. Parsch, M. Jakub\u00ed\u010dek, J. Mazourov\u00e1, J. Meisl <\/strong>Nen\u00ed proto n\u00e1hodou, \u017ee cimb\u00e1lov\u00e9 posty posledn\u00edch t\u0159\u00ed profesion\u00e1ln\u00edch t\u011bles v na\u0161\u00ed republice, tedy \u010ceskoslovensk\u00e9ho st\u00e1tn\u00edho souboru p\u00edsn\u00ed a tanc\u016f, BROLN a VUS Ondr\u00e1\u0161, byly \u010di jsou obsazeny v\u00fdhradn\u011b na\u0161imi poslucha\u010di (D. \u0160trunc, M. M\u016f\u010dkov\u00e1, Z. Lap\u010d\u00edkov\u00e1, J. Gu\u017e\u00edk<\/strong>). V\u0161ichni se d\u00e1le v\u011bnuj\u00ed i samostatn\u00e9 koncertn\u00ed i aran\u017e\u00e9rsk\u00e9 a skladatelsk\u00e9 \u010dinnosti nejen v oblasti v\u00e1\u017en\u00e9 a folklorn\u00ed hudby a tak\u00e9 jejich jin\u00e9 aktivity jsou \u017e\u00e1nrov\u011b velmi pestr\u00e9. Pro n\u011bkter\u00e9 dal\u0161\u00ed absolventy se studium cimb\u00e1lu stalo p\u0159irozen\u00fdm odrazov\u00fdm m\u016fstkem k pozd\u011bj\u0161\u00edmu vzd\u011bl\u00e1v\u00e1n\u00ed v jin\u00fdch oborech na vysok\u00fdch \u0161kol\u00e1ch nejen um\u011bleck\u00e9ho zam\u011b\u0159en\u00ed (dirigov\u00e1n\u00ed, hudebn\u00ed v\u011bdy, pedagogika aj.) a mnoz\u00ed se p\u0159irozen\u011b v\u011bnuj\u00ed kantorsk\u00e9 \u010dinnosti po cel\u00e9 \u010cesk\u00e9 i Slovensk\u00e9 republice. Na\u0161i poslucha\u010di se s \u00fasp\u011bchem pravideln\u011b z\u00fa\u010dast\u0148uj\u00ed nejen sout\u011b\u017e\u00ed v r\u00e1mci mezin\u00e1rodn\u00edho cimb\u00e1lov\u00e9ho festivalu ve Vala\u0161sk\u00e9m Mezi\u0159\u00ed\u010d\u00ed (J. Gu\u017e\u00edk, Z. Plach\u00e1<\/strong> aj.), ale propaguj\u00ed instrument i jako v\u00fdrazn\u00ed interpreti s \u010detn\u00fdmi ans\u00e1mbly \u2013 a to v nejr\u016fzn\u011bj\u0161\u00edch oblastech pestr\u00e9 hudebn\u00ed palety. I d\u00edky jejich aktivit\u00e1m se z\u00e1jem o studium natolik zv\u00fd\u0161il, \u017ee byl od \u0161koln\u00edho roku 2012-13 p\u0159izv\u00e1n k pedagogick\u00e9 spolupr\u00e1ci i ned\u00e1vn\u00fd \u00fasp\u011b\u0161n\u00fd absolvent Petr Gablas.<\/strong><\/p>\n\n\n\n

Talent a p\u00edle dne\u0161n\u00edch poslucha\u010d\u016f d\u00e1v\u00e1 tu\u0161it, \u017ee historie cimb\u00e1lov\u00e9 t\u0159\u00eddy brn\u011bnsk\u00e9 konzervato\u0159e nekon\u010d\u00ed a bude m\u00edt i v p\u0159\u00ed\u0161t\u00edm obdob\u00ed zaj\u00edmav\u00e9 pokra\u010dov\u00e1n\u00ed sv\u011bd\u010d\u00edc\u00ed o neust\u00e1l\u00e9m v\u00fdvoji hry na instrument, kter\u00fd m\u00e1 relativn\u011b m\u00e1lo za sebou, ale hodn\u011b p\u0159ed sebou.<\/p>\n\n\n\n

Kdy\u017e jsme hr\u00e1li na cimb\u00e1lu aneb U n\u00e1s doma\u2026 – po\u0159ad TV NOE<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Cimb\u00e1lov\u00e1 t\u0159\u00edda brn\u011bnsk\u00e9 konzervato\u0159e po celou dobu sv\u00e9ho trv\u00e1n\u00ed, tedy od roku 1965, rozvij\u00ed a osobit\u011b zkvalit\u0148uje pr\u00e1ci s poslucha\u010di tohoto mlad\u00e9ho, ale velmi progresivn\u00edho a atraktivn\u00edho oboru. Na po\u010d\u00e1tku byly p\u0159\u00edkladn\u011b vypracovan\u00e9 osnovy v\u00fduky a tak\u00e9 trp\u011bliv\u00e1, systematick\u00e1 pr\u00e1ce zakladatelky oboru na\u0161ich prvn\u00edch absolvent\u016f prof. Milady Vlas\u00e1kov\u00e9-Orsk\u00e9, kter\u00e1 p\u0159inesla \u00fasp\u011bchy v podob\u011b vysok\u00e9 um\u011bleck\u00e9 a interpreta\u010dn\u00ed \u00farovn\u011b na\u0161ich prvn\u00edch absolvent\u016f. Na tyto z\u00e1klady […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1615","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages\/1615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1615"}],"version-history":[{"count":0,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages\/1615\/revisions"}],"wp:attachment":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}