{"id":1248,"date":"2019-07-22T15:27:22","date_gmt":"2019-07-22T13:27:22","guid":{"rendered":"https:\/\/konzervatorbrno.eu\/test\/?page_id=1248"},"modified":"2023-10-18T14:18:37","modified_gmt":"2023-10-18T12:18:37","slug":"talentova-zkouska-hra-na-housle","status":"publish","type":"page","link":"https:\/\/konzervatorbrno.eu\/?page_id=1248","title":{"rendered":"Talentov\u00e1 zkou\u0161ka &#8211;&nbsp;smy\u010dce, harfa"},"content":{"rendered":"\r\n<div class='konzervatorbrno-jump-to-sidebar'>\r\n<a href='#secondary'>>> p\u0159ej\u00edt na podnab\u00eddku p\u0159ij\u00edmac\u00edho \u0159\u00edzen\u00ed <\/a>\r\n<br \/><br \/>\r\n<\/div>\r\n\n\n\n\n<p class=\"wp-block-paragraph\">Po\u017eadavky k&nbsp;talentov\u00e9 zkou\u0161ce v&nbsp;oboru Hudba, 82-44-P\/01, n\u00e1zev \u0160VP:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hra na housle<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>1 durov\u00e1 a&nbsp;1 mollov\u00e1 stupnice (nestejnojmenn\u00e9) v&nbsp;rozsahu 3 okt\u00e1v + kvintakord<\/li>\n\n\n\n<li>2 etudy r\u016fzn\u00e9ho charakteru (na \u00farovni F. Mazas &#8211;&nbsp;Etudy op. 36, R. Kreutzer &#8211;&nbsp;42 etud,&nbsp;,J. Dont\u00ad\u2011 24 etud op. 37, op. 38)<\/li>\n\n\n\n<li>P\u0159ednesov\u00e1 skladba: prvn\u00ed v\u011bta nebo t\u0159et\u00ed v\u011bta z&nbsp;koncertu nap\u0159.:\n<ul class=\"wp-block-list\">\n<li>I.B.Viotti: Koncert \u010d.&nbsp;23<\/li>\n\n\n\n<li>J. B. Accolay: Koncert \u010d.&nbsp;1<\/li>\n\n\n\n<li>P. Rode: Koncert \u010d.&nbsp;6<\/li>\n\n\n\n<li>R. Kreutzer: Koncert \u010d.&nbsp;13<\/li>\n\n\n\n<li>Ch. de B\u00e9riot: Koncert \u010d.&nbsp;9<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">nebo je mo\u017en\u00e9 hr\u00e1t koncertantn\u00ed skladbu podobn\u00e9 technick\u00e9 obt\u00ed\u017enosti<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Hra zpam\u011bti je podm\u00ednkou.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/konzervatorbrno.eu\/?page_id=1256\">Dal\u0161\u00ed podm\u00ednky viz V\u0161eobecn\u00e1 hudebn\u00ed zkou\u0161ka<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Po\u017eadavky k&nbsp;talentov\u00e9 zkou\u0161ce v&nbsp;oboru Hudba, 82-44-P\/01, n\u00e1zev \u0160VP:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hra na violu<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">\n\n1 durov\u00e1 a&nbsp;1 mollov\u00e1 (nestejnojmenn\u00e1) stupnice s&nbsp;p\u0159\u00edslu\u0161n\u00fdmi rozlo\u017een\u00fdmi kvintakordy v&nbsp;rozsahu t\u0159\u00ed okt\u00e1v.\n\n<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dv\u011b etudy s&nbsp;rozd\u00edlnou problematikou, nap\u0159.&nbsp;jedna technick\u00e1 a&nbsp;jedna p\u0159ednesov\u00e1 &#8211;&nbsp;v\u00fdb\u011br:\n<ul class=\"wp-block-list\">\n<li>K. Moravec &#8211;&nbsp;1.d\u00edl<\/li>\n\n\n\n<li>F. Mazas op.36<\/li>\n\n\n\n<li>J. Dont op. 37, 38<\/li>\n\n\n\n<li>p\u0159\u00edpadn\u011b R. Kreutzer &#8211;&nbsp;42 etud<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>P\u0159ednes: dv\u011b v\u011bty (pomal\u00e1, rychl\u00e1) z&nbsp;koncertu nebo son\u00e1ty nap\u0159:\n<ul class=\"wp-block-list\">\n<li>G. F. Telemann: Koncert G dur<\/li>\n\n\n\n<li>A. Vivaldi: Koncert F dur<\/li>\n\n\n\n<li>J. A. Benda: Koncert F dur<\/li>\n\n\n\n<li>G. F. H\u00e4ndel:&nbsp;son\u00e1ty pro&nbsp;violu a&nbsp;klav\u00edr<\/li>\n\n\n\n<li>B. Marcello: son\u00e1ty pro&nbsp;violu a&nbsp;klav\u00edr<\/li>\n\n\n\n<li>H. Eccles: Son\u00e1ta g moll<\/li>\n\n\n\n<li>J. V. Kalivoda: \u0160est nokturn &#8211;&nbsp;v\u00fdb\u011br<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">nebo jin\u00e9 skladby podobn\u00e9ho charakteru a&nbsp;minim\u00e1ln\u011b t\u00e9to&nbsp;technick\u00e9 \u00farovn\u011b<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Zkou\u0161ky na obor hra na violu lze vykonat na violu nebo na housle<\/li>\n\n\n\n<li>Hra zpam\u011bti je podm\u00ednkou.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"> &nbsp;<br><a href=\"https:\/\/konzervatorbrno.eu\/?page_id=1256\">Dal\u0161\u00ed podm\u00ednky viz V\u0161eobecn\u00e1 hudebn\u00ed zkou\u0161ka\ufeff<\/a> <br><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity is-style-wide\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Po\u017eadavky k&nbsp;talentov\u00e9 zkou\u0161ce v&nbsp;oboru Hudba, 82-44-P\/01, n\u00e1zev \u0160VP:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hra na violoncello<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Dv\u011b durov\u00e9 a&nbsp;dv\u011b mollov\u00e9 stupnice a&nbsp;rozlo\u017een\u00e9 akordy v&nbsp;rozsahu dvou okt\u00e1v<\/li>\n\n\n\n<li>Etudy &#8211;&nbsp;v\u00fdb\u011br dvou kontrastn\u00edch etud , nap\u0159.: K. P.&nbsp;S\u00e1dlo &#8211;&nbsp;\u0160kola etud, F. Dotzauer &#8211;&nbsp;113 etud, S. Lee &#8211;&nbsp;40 lehk\u00fdch etud op. 70<\/li>\n\n\n\n<li>P\u0159ednes &#8211;&nbsp;jedna v\u011bta koncertu, son\u00e1ty nebo jin\u00e1 p\u0159ednesov\u00e1 skladba dle vlastn\u00edho v\u00fdb\u011bru<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Hra zpam\u011bti je podm\u00ednkou<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"> <br><a href=\"https:\/\/konzervatorbrno.eu\/?page_id=1256\">Dal\u0161\u00ed podm\u00ednky viz V\u0161eobecn\u00e1 hudebn\u00ed zkou\u0161ka<\/a> <a href=\"https:\/\/konzervatorbrno.eu\/index.php?id=p-1\">D<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Po\u017eadavky k&nbsp;talentov\u00e9 zkou\u0161ce v&nbsp;oboru Hudba, 82-44-P\/01, n\u00e1zev \u0160VP:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hra na kontrabas<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Ovl\u00e1d\u00e1n\u00ed z\u00e1kladn\u00edch poloh (minim\u00e1ln\u011b do&nbsp;I. polohy)<\/li>\n\n\n\n<li>1 durov\u00e1 a\u00a01 mollov\u00e1 stupnice (nestejnojmenn\u00e9)\u00a0+ kvintakord<\/li>\n\n\n\n<li>Dv\u011b etudy nap\u0159.&nbsp;Montag, Hertl, Gadzinski apod.<\/li>\n\n\n\n<li>Dv\u011b p\u0159ednesov\u00e9 skladby &#8211;&nbsp;pomal\u00e1 a&nbsp;rychl\u00e1<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Hra zpam\u011bti je podm\u00ednkou<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/konzervatorbrno.eu\/?page_id=1256\">Dal\u0161\u00ed podm\u00ednky viz V\u0161eobecn\u00e1 hudebn\u00ed zkou\u0161ka\ufeff<\/a><\/p>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Po\u017eadavky k&nbsp;talentov\u00e9 zkou\u0161ce v&nbsp;oboru Hudba, 82-44-P\/01, n\u00e1zev \u0160VP:<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Hra na harfu<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>P\u0159edpokl\u00e1d\u00e1 se, \u017ee uchaze\u010d o&nbsp;studium absolvoval n\u011bkterou ze z\u00e1kladn\u00edch \u0161kol pro&nbsp;harfu (Trne\u010dek, M\u010ded\u011blov, Edrelli, Zaber, Soner, Reni\u00e9)<\/li>\n\n\n\n<li>Stupnice dur v&nbsp;rozsahu minim\u00e1ln\u011b dvou okt\u00e1v, akordy trojzvuky ve&nbsp;v\u0161ech obm\u011bn\u00e1ch<\/li>\n\n\n\n<li>Dv\u011b etudy podle vlastn\u00edho v\u00fdb\u011bru s&nbsp;rozd\u00edln\u00fdmi technick\u00fdmi prvky, nap\u0159.: Naderman I. d\u00edl<\/li>\n\n\n\n<li>Zpam\u011bti dv\u011b p\u0159ednesov\u00e9 skladbi\u010dky podle vlastn\u00edho v\u00fdb\u011bru r\u016fzn\u00e9ho charakteru a&nbsp;stylov\u00e9ho zam\u011b\u0159en\u00ed<\/li>\n\n\n\n<li>P\u0159\u00edklad materi\u00e1lu pro&nbsp;p\u0159ij\u00edmac\u00ed zkou\u0161ku:\n<ul class=\"wp-block-list\">\n<li>Naderman-Schuecker op.8 &#8211;&nbsp;variace &#8211;&nbsp;v\u00fdb\u011br<\/li>\n\n\n\n<li>A. M. Bachov\u00e1 &#8211;&nbsp;Mal\u00e1 kn\u00ed\u017eka<\/li>\n\n\n\n<li>Drobn\u00e9 skladbi\u010dky klasik\u016f (Mozart, Dussek, Clementi, Kuhlau, Zipoli apod.)<\/li>\n\n\n\n<li>Brahms &#8211;&nbsp;Ukol\u00e9bavka<\/li>\n\n\n\n<li>Dobrodinsk\u00fd &#8211;&nbsp;Mal\u00e1 suita<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\">Hra zpam\u011bti je podm\u00ednkou.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/konzervatorbrno.eu\/?page_id=1256\">Dal\u0161\u00ed podm\u00ednky viz V\u0161eobecn\u00e1 hudebn\u00ed zkou\u0161ka\ufeff<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Po\u017eadavky k&nbsp;talentov\u00e9 zkou\u0161ce v&nbsp;oboru Hudba, 82-44-P\/01, n\u00e1zev \u0160VP: Hra na housle nebo je mo\u017en\u00e9 hr\u00e1t koncertantn\u00ed skladbu podobn\u00e9 technick\u00e9 obt\u00ed\u017enosti Dal\u0161\u00ed podm\u00ednky viz V\u0161eobecn\u00e1 hudebn\u00ed zkou\u0161ka Po\u017eadavky k&nbsp;talentov\u00e9 zkou\u0161ce v&nbsp;oboru Hudba, 82-44-P\/01, n\u00e1zev \u0160VP: Hra na violu 1 durov\u00e1 a&nbsp;1 mollov\u00e1 (nestejnojmenn\u00e1) stupnice s&nbsp;p\u0159\u00edslu\u0161n\u00fdmi rozlo\u017een\u00fdmi kvintakordy v&nbsp;rozsahu t\u0159\u00ed okt\u00e1v. nebo jin\u00e9 skladby podobn\u00e9ho charakteru a&nbsp;minim\u00e1ln\u011b [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-1248","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages\/1248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1248"}],"version-history":[{"count":1,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages\/1248\/revisions"}],"predecessor-version":[{"id":7750,"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=\/wp\/v2\/pages\/1248\/revisions\/7750"}],"wp:attachment":[{"href":"https:\/\/konzervatorbrno.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}